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The paper singled out Hirst's pickled animal installations, such as his 1994 piece Away From the Flock, which is a lamb preserved in formaldehyde, and Mother and Child (Divided), which features.
Away from the Flock National Galleries of Scotland
About Away from the Flock Damien Hirst's 1994 sculpture Away From The Flock features a preserved lamb in a tank of formaldehyde. The title references the idea of leaving behind the protection of the church in Christianity, while Hirst sees it as a self-portrait celebrating artistic individuality.
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Created in 1994, Away From The Flock is the first work of Damien Hirst made using formaldehyde. The lamb sculpture inside a clear glass was sold at Christie's during the Post-War And Contemporary Art Evening Sale in 2018. The work was purchased in 30 seconds after the bidding began for $4.41 million.
Away From The Flock 1994 By Damien Hirst Tate Britain London HighRes
Away from the Flock, 1994 Steel, glass, formaldehyde solution and lamb 37 3/4 × 58 5/8 × 20 in | 95.9 × 148.9 × 50.8 cm The Broad Los Angeles, Santa Monica Get notifications for similar works Want to sell a work by this artist? Sell with Artsy Artist Series Related artists
'Away From The Flock II' Stretched Canvas Print Ken Hurd
Within the three versions of sculpture Away from the Flock from 1994, Damien Hirst reflects the subjects of life and death, an artwork full of controversy
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Get 50% off Damien Hirst at Tate Modern with a National Art Pass: http://www.artfund.org/whatson/21577/damien-hirstAway from the Flock features in Damien Hir.
Away from the Flock, 1994 AP (from an edition of 3) by Damien Hirst
Away from the Flock is one of a group of sculptures collectively entitled Natural History, that Hirst initiated in 1991 with what was to become one of his most famous works, a tiger shark floating in a giant formaldehyde-filled tank, entitled The Physical Impossibility of Death in the Mind of Somebody Living (reproduced Damien Hirst, pp.120-1).
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A group of conceptual British artists, mainly born in the 1960s, first gathered together by Damien Hirst in 1988 to take part in an exhibition called Freeze. The phenomenon is also known as 'Britart'. Read more Turner Prize
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That image of the "neglected" carcass of a sheep recalls his 1994 work Away from the Flock, a sheep in a vitrine with roots deep in Christian imagery. Catholicism, he confesses, pervades how.
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Its title, 'Away from the Flock', is a term we associate with religion, specifically Christianity, - "to leave the flock" is to leave behind the protection of the church. Hirst draws on precedents in earlier British art.
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More information available on The Broad's website: http://www.thebroad.org/art/damien-hirst/away-flock
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Away from the Flock features a lifeless sheep suspended in formaldehyde within a glass-walled tank. The sheep on display represents the limits of preservation, its inability to evade death. The work forces us to address our own ultimate mortality, resulting in emotional, empathetic responses. Read more about Damien Hirst audio tour
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Away from the Flock: inkedEncyclopædia Britannica, Inc. (top) and Rex Features/AP Images. The time and date: May 9, 1994 The assaulted work: Away from the Flock (an installation of a dead sheep floating in formaldehyde) by Damien Hirst The scene of the crime: Serpentine Gallery, London The perpetrator: Artist Mark Bridger
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Details Damien Hirst (b. 1965) Away From the Flock (Divided) glass, painted steel, silicone, acrylic, plastic cable ties, stainless steel, sheep and formaldehyde solution Two parts each: 46½ x 73 1/8 x 20in. (118 x 186 x 51.3cm.) Executed in 1995 Provenance White Cube, London. Private Collection, Naples (acquired from the above in 1995).
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The Serpentine's centrepiece was Hirst's latest adventure in formaldehyde: Away from the Flock, a disembowelled sheep which had been "rescued" from a knacker's yard. Andrew Graham Dixon thought.